(This excludes Embedding, Webfont, and Redistributive use.) This is Blambot’s way of supporting the independent comic community and applies only to indie/small press comic book creators. If you are an independent/small press comic creator, you may use Blambot free fonts in your comic book project–even if you are making money with your project–even if you use the fonts printed on merch in support of your comic.Anyone can use Blambot free fonts for non-profit projects, excluding Embedding, Redistribution, or Webfont use.He’s designed a lot of comic fonts and has made several of them free via a license agreement for independent comic creation. Nate Piekos has been at this for two decades and has lettered comics for Marvel Comics, DC Comics, Oni Press, Dark Horse Comics and many others. My first stop was over at Blambot comic fonts and lettering. Nate Piekos of Blambot October 1, 2014įree Comic Lettering Fonts Blambot Comic Fontsįound this via Spider-Man editor "5 Amateur Lettering Mistakes" by Nate Piekos. Properly Stacking Text in a Dialogue Balloon #lettering #comics /hYofogkQTy They had to at least be “almost” as good as a paid commercial font.They had to be able to be used commercially (or at least partially).My goal for you with this post was three-fold. While I tend to stick with “paid for” Comicraft fonts you should play around with some of the free ones first to get a feel for comic lettering. By sheer numbers, this also means more free quality comic fonts have also surfaced. Since then thousands of free fonts can be found and downloaded online. There were only two or three worthy contenders. When I was first hunting for free comic fonts to test out in the early 2000’s the pickings were slim. While digital lettering today can still be a frustrating process it’s miles easier than in decades past. That is when you were talking about dropping in the lettering by hand with a technical pen or a #107 nib. Lettering your comic used to be a nerve-wracking experience. Hand Lettering Your Comic Was Sometimes Ulcer Inducing I wasn’t particularly great – but I was pretty good and lettered around 250 pages in total. It was a nice reprieve from writing, drawing, packaging, Myspacing and marketing our fledgling boutique comic publishing concern. I’d pour a glass of wine (I’m not a wine drinker incidentally), fire up InDesign and get to it. I used to letter all of the various comics that we created back in the mid-late 2000’s. Meaning it blends seamlessly with the art to make an amazing reading experience. When done right – you tend not to notice great comic book lettering.
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